The Boos Brothers – Not Since I Found You (Quantum Records, 1976)

Say hello to John, Ron, Don and Dave– The Boos Brothers, from Kansas City, Missouri. Along with drummer Paul Walter (the blond one) the Brothers “have cut a wide happy path of truly exciting family entertainment.”

The Bros are backed by a terrifically lazy band who manages to make sludge out of otherwise normal pop songs. Add the wavering, almost hesitant Boos quartet on top and the end product is bordering on surreal, but dare I say– pleasant? The organ, guitar and bass trio (uncredited) have a style that can’t help but outshine the boys in the white jumpsuits.

These two track are both original numbers written by Don Boos (second from left.) This record should be appreciated for its authenticity, from the technical glitches in the songs to the typo on the back of the record. And if you listen to it in just the right mood, you might even enjoy it.

The Boos Brothers – By My Side
The Boos Brothers – We Call It Love

Charlie Parker – Yardbird-DC-53 (VGM Records, 1983)

Bird lives in Lawrence, Kansas tonight. This is a bootleg recording from the Howard Theater (Washington D.C.) in March and April of 1953.

This addition to the Parker discography was published in 1983 by VGM records. Clearly a bootleg recording, the sound quality is not the finest, however, these two tracks stand out: the classic “Ornithology” and a break-neck “Anthropology,” in which the band barely manages to keep in step.

From the liner notes, “After Bird finishes his extraordinary solo [on Anthropology], it is the pianos turn and the piano man can be heard emitting a groan just  before he is to dig in. His groan is not only in appreciation and amazement at what Bird had just played but undoubtedly is a cry for help from somewhere outside himself– for he must realize that he is not like Bird and that he is a mere mortal.”

No one is quite sure about the identities of the other members of the quartet– and I’ll leave that for the Ornithologists to ponder. (It seems that most people agree that the drummer is Max Roach.) The All Music Guide calls this recording, “of primary interest to long-time collectors,” but neglects to call attention to the electric atmosphere of this recording. The cheers and shouts of the crowd are heard regularly, at one point laughter can be heard during a goofy bit of drum solo on Ornithology. This room noise adds so much to the tracks I would happily sacrifice the sound quality inherent to most “privately produced” recordings of the time.

Ornithology-Yardbird-DC-53
Anthropology-Yardbird-DC-53

Pete Eye Trio – s/t (Cavern Custom Recordings, 1976)

I first heard about KC jazz pianist Pete Eye in the Jazz Ambassador Magazine April/May 2010 issue. He’s a long time figure on the jazz scene who unfortunately recently passed away.

The line up is: Pete Eye-Piano, Tommy Ruskin-Drums, Bob Branstetter-Bass.

Track one is a cover of the Meters classic “Sissy Strut.” Pretty good. The rest of album is a toss up. Pete’s cover of the theme from Love Story is OK I guess, if you are in tothat. Side two takes it in a different direction with a cover of Buddy Miles’ “Dem Changes.” Eh…it was the 70s.

Sissy Strut-The Pete Eye Trio (download)

The picture here is not the record being described in this post. I found the first Pete Eye Trip LP stuffed into this cover (the second, 1978 LP.) If you have the second LP with the fist LP cover maybe we can make a deal. (And hopefully that deal will be that you will give it to me.)